Sceatch of Human Body Drawings

Learn from Anatomy to Improve Your Poses

Agreement the construction of the human body is primal to improving your character illustrations! With this illustrated tutorial by Eridey, acquire more well-nigh basic, muscles and discover how the different parts of the body are connected to each other.

The key to improving is to do our best and put our heart into what we practise. Anatomy is non an piece of cake field of study, but I hope that this article can exist a quick guide for you and go you in the mood to keep learning. Allow's beginning with the building blocks of the man figure:

The spine is the body's support, besides allowing motion in the torso. Its vertical shape differentiates humans from other species. It is not a direct line, only a curve. Its shape makes the pelvis and the rib muzzle tilt slightly. Allow's divide it upwards into iii parts to see it ameliorate:

  1. Cervical spine — supports and provides mobility to the head
  2. Dorsal or thoracic spine — supports the ribs.
  3. Lumbar spine — a picayune before the pelvis, connected to the sacrum.

In the cervix, the cervical spine (1) is located just behind the jaw (2). There are a variety of muscles that operate the movement of the caput. The most visible i has a very, very long name (sternocleidomastoid!), merely you can easily recognize it by its V shape, departing from the ear to the center of the clavicles (3). In the center of these muscles is the Adam's apple, which is more prominent in men (4).

The dorsal spine is the office that connects to the artillery. You tin can draw information technology in many means, I similar to give it an ovoid shape that resembles the shape of the ribs (one).

The sternum (2) closes this structure in the front, creating, with the spine, an imaginary line that divides the trunk into two. Employ them every bit a guide!

The clavicles (3) are like a bicycle handlebar, you can think of them every bit a shoulder support. Every time the artillery move, they will change management.

In the back, you will find the scapulae or shoulder blades. They are triangle shaped and assistance move the arms. The shape of the back changes following the movements of these bones.

The pelvis is located at the cease of the torso, connected to the lumbar spine from the sacrum (1). On both sides you can see the ilium (2); and in the front, the pubis (3).

As these are somewhat irregular bones, I like to simplify them by drawing a pair of discs for the ilium, and the sacrum as an inverted triangle.

The ilium (i) volition guide you lot to draw the angles of the hip. On the back, these ii dimples at the terminate of the spine, before reaching the buttocks, will assist us identify the sacrum (ii).

Note that female hips are generally wider than male hips — one of the main differences.

Limbs

Limbs can motility in many ways, simply knowing their limitations volition relieve us from drawing unrealistic poses (or bone-breaking poses, ouch!).

Arms:

In the upper part of the arm (A) there is the humerus, a long and strong bone that connects to the elbow and articulates the forearm (B).

In the forearm you will find the radius (i) and the ulna (2). These basic cross to allow the rotation of the wrist. Some artists describe role of the forearm equally a box to define its volume (three).

Can you lot encounter a tiny lump just behind your wrist?  (4) It is part of the ulna. Y'all tin can use it as a reference signal to locate the orientation of the arm.

Legs:

In Fig. A nosotros have the leg basic:
The femur (i) in the thigh; the knee (2) in the middle of the leg; the fibula (3) and the tibia (iv) in the calf expanse.

The legs should support the body and give information technology the residuum it needs, but there is a particular that sometimes escapes the states: the legs practice not have completely vertical line. In order to achieve balance, in that location must be rhythm. Notice the slight inclination in the femur from the hip to the knee, and the curves (fig. B) that create the contour of the leg (side view).

Other interesting details about the leg:

Between the hip bone and the femur, there is a infinite that tin can exist seen as an indentation in the pare, mainly in men who have less musculus mass in that area.

In figure C, nosotros have the ankle. Its bones are placed at different heights, with the fibula on the outer side (*) being lower.

Figure D is a dorsum view of the genu. On the outer side (*) the muscles exercise not generate also much change in the contour, but on the inner side a small lump is created (I have also pointed this out in figure A).

Proportions

According to some academic standards, 7 or 8 heads is the ideal height of an adult. However, each person has different proportions according to their physical characteristics. If you compare people of different heights you lot volition notice that individually they maintain proportions according to their own body.

To prove this, allow united states expect at the following example: 2 adults, a man and a woman.  Although the female person effigy is shorter, her body is divided into 7 heads (which fits inside the standard) and the male figure is just a tertiary of a head taller

In the example I take too included the effigy of a child. Accept into account that, at early ages, the body has not adult completely, and then their measures are a petty undefined. This one is almost 5 heads high.

Aside from this, artists exercise change their characters' proportions totally out of these "ideal" ones, to emphasize their unique characteristics or to enhance their drawing styles. (Merely this is non an excuse to ignore the fundamentals!)

A play a trick on! I similar comparison elements of the same length, merely to make sure that everything is well proportioned as I draw. For example, the hands are about the size of the face; the anxiety are as long every bit the forearm.

Some other piece of data that I discover fascinating is the fact that, if you extend your arms, they are side to side the same length equally your tiptop!

Finally, four points which will help us to become better at drawing day by day.

  • Observation: Study how people walk, their poses, the different types of bodies… Create a reference gallery in your mind and, if possible, take pictures!
  • Remember in 3D: To understand a figure/shape, the best thing is to analyze it from different perspectives.
  • Research: Read about trunk parts, bones, muscles, functions, etc. From an artist's point of view is fine, you do not need to become a doctor! Nosotros are interested in those anatomy parts which affect the shapes and movements of the body.
  • Describe, depict, draw! Practice drawing the whole figure and detailed studies of some specially difficult parts.

Thank you very much for reading!

If you similar, y'all tin can check out my social networks and my portfolio to see some of my work.

Bring Energy and Life to Your Poses!

Bring Energy and Life to Your Poses!

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Source: https://www.clipstudio.net/how-to-draw/archives/161109

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